Let's face it: it was not the best start to the year as possible. Having experienced what we experienced his in Paris last week, would anyone really saddened. For a few days, everything is passed into the background: our lives, our problems, our newspaper. Terrified, overwhelmed by events, we dragged exhausted up to the event on Sunday afternoon. That sure was a beautiful moment: all those people on the street, that desire to remain united, compact, that feeling of having his to say something important to the rest of the world. In those dramatic days of the attacks, died after a little time from each other two actors who belonged to a little 'to another era, is that the world of cinema: Rod Taylor
Australian first, the second Swedish, had made a fortune, respectively, in Hollywood and in Italy. A hearing of their disappearance, I saddened even more. It was a bit 'as if the last glimmer of innocence and carefree his was gone away from here, dragged along with everything else in that dark and deep chasm that increasingly his resembles the modern world. his La Dolce Vita (1960), the film that created the myth of Ekberg, is indeed one of the most despairing film history (I saw him recently and I was impressed by his angosciosità ), but in our collective imagination will always be linked the myth of the paparazzi, Via Veneto, Rome when it was the most beautiful city in the world, dell'Italietta his the late '50s, a country where there was still hope, the economic boom, Cinecittà , Hollywood on the Tiber , and where two could throw in the water of the Trevi Fountain creating an iconic image recognizable by anyone in any part of the planet Earth:
Sunday in New York is a romantic comedy to those that were made only once: well written, with witty dialogue and clever, comic situations and a moral and everyone lived happily ever after. What a relief! Here, as a nice bonus, there is a setting in the '60s that is second his only to delight Mad Men. New York has never been so beautiful, and the apartment where he plays most of the film is so wonderful that the desire to move quickly to live there and be a Martini Cocktail his spontaneously his after two seconds flat that you look at it.
I began to dream of seeing New York watching the movie, and I can assure you that even today, and whenever I happened to go there on Sunday is my favorite day to stay in town. Walking the streets of Manhattan, and I remember the song by Peter Black that is the soundtrack to the film, and I say that life is very strange. The film guide us, transport his us, accompany us, and never leave us. La Dolce Vita is gone, the cinema remains.
Zazie Paris, France Zazie has spent almost his entire life to the movies. his He lives in Paris and, in his spare time between a movie and another, working in an architecture studio. Things for which he loses his head, cinema apart: Japan, the pitchers Pastis, clothes 50s / 60s, and Jeremy Irons. Zazie spent almost all her life in cinemas. She lives in Paris and, in the spare time between movies, she works in an architecture studio. Things she is crazy about, besides film: Japan, Pastis stuff, vintage clothes from the '50s /' 60s, and Jeremy Irons. View my complete profile
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