About the use of archeology [3] as a metaphor for understanding of hysteria one would argue was as

The reading process for my becoming an increasingly magical, tremulous renaissance process with the endorsement of "latent meaning" to NP van Wyk Louw adapt. It is well known that Sigmund Freud very interested in archeology, and a visit to his home in Vienna Berggasse emphasizes. He has collected artifacts and nearly a fetisjistiese manner exhibited.
In the reading process renaissance - if it is psychoanalytic approach - the reader is engaged in an archaeological renaissance process. You have "discovered" by layers of conscious and unconscious move in order to the final meaning to come. Or at least to the illusion renaissance of a final meaning.
In order to illustrate this process, the author two visits to Machu Picchu - the first in 1989 and another in September 2007 - used to come to know about processes in the unconscious slumber. At the time of the first trip is a farewell to a beloved testified in a collection of verses in a circle consummated. It is called Twisted puzzles. The author experienced the Brazilian landscape, leaving for Argentina down to Chile - and finally to Peru. Machu Picchu renaissance to visit. [1]
Machu Picchu, the Lost Inca City in 1911 by the historian and archaeologist Hiram Bingham discovered. [2] The city is built in 1450 and a hundred years later left desolate after the superiority renaissance of the Spaniards. Pablo Neruda this tightly in his Canto General, who in 1950 originally appeared in Mexico.
About the use of archeology [3] as a metaphor for understanding of hysteria one would argue was as follows: low strata of meanings or compaction cloaking often a neurosis which, according to Freud by dreams, or versprekings puzzles may arise .
Freudian psychoanalysis has been typecast as a "tyranny of the irrational" and the use of Machu Picchu as a metaphor for the reading and writing process illustrates fully. Something stayed behind, namely ruins of a lost Inca city - just like the poem something shack, trapping or representing lost. The Inca city is toeristies visit, as the poems by outside readers "visit" in order to try to clear up mysteries.
The poet at the time of the first trip to the amazing magical Machu Picchu impact came and poems written about this (vide endnotes). On the second visit, there was disillusionment and distance - even a sense of sadness because of the painful farewell, even during the second visit as fatal and a highly experienced negative process.
Psychoanalysis can best be summed up as the art of the double-talk. Something to say / write, but essentially meant something else or embodied, would be an appropriate summary for this belief that also ahistories in point, compared to Marxism, the history into account. Obviously this is then a conflict there: the poet tests the unconscious experience which is multi poem is at a historic building or landmark, a place which is considered one of the Seven Wonders renaissance of the World.
The "tyranny of the irrational" is exactly what vision renaissance a second visit to the traveler / writer impose at the time of the trip realizing that the relationship, although long since completed, still propel the unconscious. It is as if the great emotions surrounding this break up in this space alive (ig), and if the traveler / writer all the complex emotions renaissance of betrayal and longing reactivate ("Re-Enact"). The beloved is no more. The traveler / writer has no knowledge of her well-being, renaissance but in this primordial space is a Freudian reactivation experience.
It is known that the author of several texts parapsigologiese, Eric von Däniken, Machu Picchu apart as a space proof of contact with other planets or systems. In his Chariots of the Gods, he argues that this Inca city built by "aliens" or gods who then primitive man brought civilization. He bases his theory renaissance that the formation of building completely new and different. On the Internet, the reader can see, among others, renaissance examples of how these different formations of Stonehenge and other ancient structures on Earth. The stones fit together so perfectly that nothing, not even a knife blade or piece of paper, between two stones can be squeezed out. Also the structure is strange and unknown.
During renaissance the second visit to Peru living the writer / traveler renaissance the ICLA conference in Rio de Janeiro at. The theme is Beyond Binarisms - Discontinuities and Displacements in Comparative Literature and several prominent theorists contributes about issues surrounding the removal of binariteite in a post-postmodern world. That