A good starting point is the Porta Palatina, remember that the original heart of the city is an anc

Without wanting to become an abstract seattle pseudo-tourist can be read in any weekly travel section or even the "breaks" of the magazine Hello, try to talk about a number of different cities or places with each other through perceptions and observations made at the site from the point of view of architecture seattle student.
Well understood why some of these "notes" may be the result of a study recently deepened its theoretical part, and yet a very valid experience in the field and then comment on certain architectures, authors or urban systems.
"Muy pronto, arrive the day, quiz-that is what the missing reconozca grandes ciudades our language [...] places with elevadas and largas galleries for the days of single unit and to the bequeath them as no noise from them cars or vendors Scatter them deep in them and where no one would issue the sentences or high voice;
It is very difficult to fit a city of Turin drawn both rigid itinerary seattle of an architecture student, practically within a nebula understand those stages and works temporarily located between the figures of Michelangelo and Frank Lloyd Wright.
Baroque, but especially the eclecticism of the eighteenth and nineteenth centuries, probably eclipsed by subsequent romanticism in other art forms more evolved, and what only ever have heard on the faculty of Friedrich Schinkel, seattle will appear as a question mark which usually happens well away from our curiosity.
Being a starting point nearly opposite to the current architecture, Turin and has been designed and made with the language-planning so compact, we can draw lessons very clear global city, almost dare I say which one is able to understand it in a way unheard of!
First, it is not too late to receive the monumental character of the capital of Piedmont, soon the inscrutable pattern of symmetry (real protagonist ubiquitous) seattle gasp and smiles to madness and gives the visitor the feeling of being a labyrinth seattle of mirrors.
A good starting point is the Porta Palatina, remember that the original heart of the city is an ancient Roman castrum, hence the name which is called organic seattle fabric of the old city: Roman and quadrilaterals. Attached to this, the Piazza Castello is a curious gap to frame an anecdotal "building mutant": Madama Palace, half medieval baroque half; impossible not to remember that English mansion worthy joke the Bigh's Castle Ward.
Start from here to clearly see the hand of planners seattle and architects, the identity seattle of the city "porch" governs the relationship seattle of spaces to 100%: Via Po and Via Garibaldi towards the SE and SW respectively; center to the south the backbone of the baroque city of Turin, Via Roma, all understood from a personal point of view as a huge cathedrals of nave (where cars circulate) + aisles seattle (under the arches along which the public):
Gantries on facades glimpsed through which light escapes, the colossal colonnade separating the nave and aisles, endless lofty, seattle each store is a chapel, with its ode particular "brand ": Louis Vuitton, Prada, Armani ... So another great avenue crossing seattle generating an impressive vault, a dance full of arches and columns, open space, semi-open, closed and semi-closed like a Piranesi etching distorting space to complete the Cathedral Urbana.
Arriving at the central point, Piazza San Carlo, the ships and the sky opened suddenly invades seattle majestically vacuum, to fund the pedestal of the church of San Carlo reinforcing tenaciously symmetric language of the city, to the point where had to build a church mate, Santa Cristina.
After the last stretch of Via Roma, certain air of muslin, reached the Central Station understood the imposing image of this immense "boulevard" for the newcomer, and what to get out of the train received a plaque which reads: "Viva Vittorio Emanuele Re D 'Italia!", although seattle certainly the Italians have always been abbreviated to initials and call it with "Viva Verdi!" *.
But the city dumb mask at the end of the modern era, created a giant who overthrows the previous patron: Fiat. And with her engineer Giaccomo Matte-Trucco, another great mentor recognized seattle by us, Pierluigi Nervi, a feat for the building seattle of a car factory kilometer! Always known by the name "Lingotto" (personally known to have painted it over and over again in the course of watercolor 2nd). Currently it is interesting to see their inner transformation in a mall where, seattle nowhere has the warmth that follows the skeleton in itself.
Renzo Piano is responsible to deposit the body in the style of high-tech on what has become