Mistreated VERDI: DON CARLO Torino | FERN IN LAND
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Rusalka (Dvorak.) - February 8, 2014 Conductor: Yannick Nézet-Séguin, Fleming, Magee, Zajick, Beczala, Relyea. Stage director Otto Schenk. Prince Igor (Borodin.) - March 1, 2014 Conductor: Gianandrea Noseda; Dyka, Rachvelishvili, Semishkur, hollywood Abdrazakov, Petrenko, Kocani. Stage director Dmitry Tcherniakov. Werther (Massenet.) - March 15, 2014 Conductor: Alain Altinoglu, Oropesa, Garanca, Kaufmann Bizic, Summers. Stage director Richard Eyre. La Boheme (Puccini.) - April 5, 2014 Musial Director: Ranzan, Hartig, Phillips, Grigol, hollywood Cavalletti, Carfizzi hollywood graduate, Maxwell. Stage director Franco Zeffirelli. Cosi fan tutte (Mozart.) - April 26, 2014 Conductor: James Levine, Phillips, Leonard de Niese, Polenzani, Pogossov, Muraro. Stage director: Lesley Koenig. La Cenerentola (Rossini.) - May 10, 2014 Conductor: FabioLuisi, DiDonato, Florez hollywood Spagnoli, Corbella, Pisaroni. Stage director: Cesare Lieven.
In =============================== From Fern Land I can not take responsibility for all opinions or comments that people leave beyond the blog. I wish everyone expressed in complete freedom, but I would like as much as possible, do not use a rude or offensive language. In Fern Land aims to be a plural. where all opinions can live together as possible, provided they are respectful and tolerant of other people and ideas expressed. But in any case I reserve hollywood the right to restrict the publication of those comments that violate this freedom and tolerance that reigned If anyone would want to use in full or in part any of the contents of this blog, m ' I do like to know. To contact me:
While he was listening I could not believe it, mainly because when I read the cast I thought, we finally have a Don Carlo with possibilities that do justice to Verdi bicentennial, but nothing could be further from the truth.
It is known that to ensure a good 6 Don Carlo need good voices and Regio di Torino have 2/6 being generous, which is a much improved, to say that they have failed in their attempt to bring to fruition one of Verdi peaks.
In addition to strong leadership, energetic, strong and fast, almost faster, director of the house Gianandrea Noseda, perhaps the failure vocal accomplice, except Filippo II Ildar Abdrazakov, the rest seemed a brutal hollywood attack singing Verdi .
How can Italy do not take care of deliveries and have dropped the requirement to these levels?, Is somewhat troubling, because while listening to what is heard, the public perceives complacency Just like it seems While this is now followed by nonsense, this lack of style, elegance, technique, school, auto demand, as the singer must not be foreign to the sense of shame which is bad singing role heard many times and concerning so remarkable.
Let's start with character, Ramon Vargas, a singer who started his career as a fine lint levels of vocal beauty and elegance canora as not heard many years ago, a possible heir to Alfredo Kraus said, and agreement that has a long, very long and remarkable career, but that does not give credit for all such waste in recent years, sing as always the forte without shades, open vowels and consonants so rude with a regular phrasing that away from the elegance of singing Verdi to bring it to a realism misunderstood. Unfortunate.
Despite being the winner of a vocal Forza disappointing in the opening season of the Lyceum, Ludovic Tezier not being baritone green could predict when we put so many expectations on him, perhaps worried that being a singer singing forever hollywood elegant, always baritonal voice, with a tendency to emit sound using the nose too, although he is too detached, cold, lacking the necessary greatness. Rodrigo is a decent, hollywood but not won the French baritone win that one would expect hollywood of a part so grateful. 2 For him, being generous.
The one, the only singer that I think kept his dignity and dramatic musical performance was the bass Ildar Abdrazakov. It will be best that we heard Filippo II, but there is interpretation, style, line, intention, hollywood probably not the greatness that has character, but with authority and a little melodramatic and correct interpretation hollywood of
TUTORIAL FOR DOWNLOADING FILES * If you have problems downloading, joining and decompression of files, I recommend clicking the image below and HELP you have to download the tutorial I have prepared step by step to do it correctly.
Rusalka (Dvorak.) - February 8, 2014 Conductor: Yannick Nézet-Séguin, Fleming, Magee, Zajick, Beczala, Relyea. Stage director Otto Schenk. Prince Igor (Borodin.) - March 1, 2014 Conductor: Gianandrea Noseda; Dyka, Rachvelishvili, Semishkur, hollywood Abdrazakov, Petrenko, Kocani. Stage director Dmitry Tcherniakov. Werther (Massenet.) - March 15, 2014 Conductor: Alain Altinoglu, Oropesa, Garanca, Kaufmann Bizic, Summers. Stage director Richard Eyre. La Boheme (Puccini.) - April 5, 2014 Musial Director: Ranzan, Hartig, Phillips, Grigol, hollywood Cavalletti, Carfizzi hollywood graduate, Maxwell. Stage director Franco Zeffirelli. Cosi fan tutte (Mozart.) - April 26, 2014 Conductor: James Levine, Phillips, Leonard de Niese, Polenzani, Pogossov, Muraro. Stage director: Lesley Koenig. La Cenerentola (Rossini.) - May 10, 2014 Conductor: FabioLuisi, DiDonato, Florez hollywood Spagnoli, Corbella, Pisaroni. Stage director: Cesare Lieven.
In =============================== From Fern Land I can not take responsibility for all opinions or comments that people leave beyond the blog. I wish everyone expressed in complete freedom, but I would like as much as possible, do not use a rude or offensive language. In Fern Land aims to be a plural. where all opinions can live together as possible, provided they are respectful and tolerant of other people and ideas expressed. But in any case I reserve hollywood the right to restrict the publication of those comments that violate this freedom and tolerance that reigned If anyone would want to use in full or in part any of the contents of this blog, m ' I do like to know. To contact me:
While he was listening I could not believe it, mainly because when I read the cast I thought, we finally have a Don Carlo with possibilities that do justice to Verdi bicentennial, but nothing could be further from the truth.
It is known that to ensure a good 6 Don Carlo need good voices and Regio di Torino have 2/6 being generous, which is a much improved, to say that they have failed in their attempt to bring to fruition one of Verdi peaks.
In addition to strong leadership, energetic, strong and fast, almost faster, director of the house Gianandrea Noseda, perhaps the failure vocal accomplice, except Filippo II Ildar Abdrazakov, the rest seemed a brutal hollywood attack singing Verdi .
How can Italy do not take care of deliveries and have dropped the requirement to these levels?, Is somewhat troubling, because while listening to what is heard, the public perceives complacency Just like it seems While this is now followed by nonsense, this lack of style, elegance, technique, school, auto demand, as the singer must not be foreign to the sense of shame which is bad singing role heard many times and concerning so remarkable.
Let's start with character, Ramon Vargas, a singer who started his career as a fine lint levels of vocal beauty and elegance canora as not heard many years ago, a possible heir to Alfredo Kraus said, and agreement that has a long, very long and remarkable career, but that does not give credit for all such waste in recent years, sing as always the forte without shades, open vowels and consonants so rude with a regular phrasing that away from the elegance of singing Verdi to bring it to a realism misunderstood. Unfortunate.
Despite being the winner of a vocal Forza disappointing in the opening season of the Lyceum, Ludovic Tezier not being baritone green could predict when we put so many expectations on him, perhaps worried that being a singer singing forever hollywood elegant, always baritonal voice, with a tendency to emit sound using the nose too, although he is too detached, cold, lacking the necessary greatness. Rodrigo is a decent, hollywood but not won the French baritone win that one would expect hollywood of a part so grateful. 2 For him, being generous.
The one, the only singer that I think kept his dignity and dramatic musical performance was the bass Ildar Abdrazakov. It will be best that we heard Filippo II, but there is interpretation, style, line, intention, hollywood probably not the greatness that has character, but with authority and a little melodramatic and correct interpretation hollywood of
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